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Hana vu public storage review
Hana vu public storage review







hana vu public storage review hana vu public storage review

“Can you make me anybody else?” she pleads on the final track, Maker-but as she spent the last eleven songs proving, she doesn’t need the help: she’s a force to be reckoned with as she is. Proving oneself and finding one’s place are the album’s most significant themes, whether she’s dreaming of a home as in Aubade (“ When I close my eyes / I have a new place”), running away from it as in Heaven (“ Heaven, heaven / Never going home, no”), or trying to make it as in My House ( “Oh, make my house a home / Or give me hands to hold”). “ Here’s my receipt, here’s all my records / I’ll show you everything that I have to prove,” Vu sings on the title track, Public Storage-and then spends the rest of the album doing just that. Bedroom pop has never sounded so soulful-and while the ‘bedroom’ part can hardly be used to describe the stellar production quality across the twelve tracks, it’s a perfect descriptor for just how personal this album is lyrically. Public Storage seems to veer away from the more upbeat, experimental undertones and grainy, lo-fi processing of the latter, though one thing that hasn’t changed is the sheer power of Vu’s low, contralto voice, which speaks-or sings-to a musical maturity beyond her years. Public Storage brings forward the 21-year-old’s signature sound from her two previous EPs, 2017’s How Many Times Have You Driven By and 2019’s Nicole Kidman / Anne Hathaway, though with a markedly more consistent sound across the album. It’s rare to see an artist so young with such a strong grasp on her personal style. Now the mouth is open, allowing us an intimate look into the human body-just as the album itself does sonically, giving us an unflinching portrait of Vu as both an artist and a person. The cover art of Los Angeles-based artist Hana Vu’s newest album, Public Storage, follows the pattern of the three singles released prior to it- Maker, Keeper, and Everybody’s Birthday, which featured highly-saturated, gritty images of body parts, from an eye, to a hand, to a closed set of teeth. Her stellar signature sound is one thing she shows no signs of losing. Hana Vu’s third album, Public Storage, is a powerful meditation on the self, change and loss.









Hana vu public storage review